2 or 3 things i know about her review

2 or 3 Things I Know About Her is marginally better than its thematic predecessor Une Femme Marriée. On the surface, the "narrative" (if one were to call it that) concerns a group a middle/upper-middle class Parisian women who prostitute themselves in order to buy consumer goods. This coexistence between these differing beings is what exalts the dignity of the condition we have of socialization as the rational beings we are. 2 or 3 Things I Know About Her presents prostitution like a metaphor from all the exchanges involving labor and money in capitalism. Get the freshest reviews, news, and more delivered right to your inbox! "Her" progressively becomes a duality between a "typical" individual, being this case represented by a middle-class housewife, and the city of Paris, the collective side, as several stories begin to intersect the narrative stream. The jaded pimp even watches his girls' children while sex occurs in adjacent rooms. Be warned: "Two or Three Things I Know About Her" is one of Jean-Luc Godard's "difficult" films. Unlike Godard's tendency to become obsessed with the pulp culture of America and its destructive fundamentalisms - such as capitalism and the illogical logic of war - which resulted in a notorious detriment of his cinematic quality, he alternatively began to portray the impacts of these political, governmental and artistic ideas and tendencies of a progressively changing society in real people. 2 ou 3 choses que je sais d'elle (2 or 3 Things I know About Her) is one of Godard's most fluid and complex narratives, and that is saying much considering the very nature of most of Godard's work. Deux ou trois choses que je sais d’elle (Two or Three Things I Know About Her, 1967) is a very special entry in the remarkable filmography of Jean-Luc Godard, a figure I believe Geoffrey Nowell-Smith is justified in lavishly, yet also precisely describing as “the most important and revolutionary filmmaker of the last fifty years” .. The percentage of users who rated this 3.5 stars or higher. in the end, godard might have accomplished a certain task, but the film fell mostly empty. It's a sort of bet. Anouchka Films, "Two or Three Things" came before "Weekend" (1968) and after "Masculine-Feminine" and exhibits the typical Godard obsession with slogans, ads, signs and just plain words. 2 or 3 Things I Know About Her. You have to prostitute yourself to survive, Godard seems to be telling us, but more out of habit than choice. There is really no "plot." There is an increasing transmission of mutual realization in the structure. Find helpful customer reviews and review ratings for 2 or 3 Things I Know About Her at Amazon.com. Ratings & Reviews. | Rotten (2). 2 or 3 Things I Know About Her. Just confirm how you got your ticket. A performance. |, August 5, 2011 by being about everything the film wasnt really about anything until the very end when it revealed a message that was fairly profound. | Rating: 5/5, July 20, 2009 But it has extraordinary alchemical powers, turning the most ordinary environment -- a young couple's suburban flat -- into a minefield of ideas. Money, sex, fashion, the city, love, language, war: in a word, everything. a film about, well, everything. Find helpful customer reviews and review ratings for Two or Three Things I Know About Her [DVD] [1967] at Amazon.com. | Rating: 5/5 This is a list of all Slant Magazine articles, from reviews to interviews to festival reports, associated with 2 or 3 Things I Know About Her. Godard works on the limit, often indiscernible, which separates documentary from fiction in a dazzling movement that criticizes the illusion of appearances, or rather, the dialectical relationships between idea and action, word and image, interior and exterior. What's really so great about survival, anyway, in a world of concrete and advertisements, where the human nature seems unnatural? he her in the title of Jean-Luc Godard's 1967 film is meant to be Paris. The strangest thing about this film is that it knows it's a film, and its characters know that they're characters in a film. Certainly, lead character Juliette reveals very little of herself -- either emotionally or physically -- and, frankly, actress Marina Vlady gives a rather flat performance (a café scene with a cynical Juliet Berto had me wishing she had starred instead). Godard's attention strays to multiple other women around the city (many of whom break the fourth wall and introduce themselves to the viewer), and he's also distracted by countless construction sites (a symbol of gentrification and government intrusion) and, of course, any billboard, marquee or product advertisement he can find. The film feels more like a personal essay than a story -- Juliette recurrently speaks to the camera, and Godard himself wears out his welcome as a narrator, churning through heady thoughts in an intense, intimate whisper. Sometimes the words are meaningless; they're in the movie to remind us that we live in an environment of words without usually paying much attention to them. Just leave us a message here and we will work on getting you verified. 2 or 3 Things I Know About Her Read TCM's Home Video Review on this film Jean-Luc Godard's 1967 pop-art essay-collage Two or Three Things I Know About Her (2 ou 3 choses que je sais d'elle) marks the beginning of the director's move away from genre parodies and New Wave "fun" filmmaking. This film is a conundrum, because it's very hard to tell whether it's making fun of pretentious movies or being pretentious itself. As the city of Paris and the French people grow in consumer culture a housewife living in a high-rise apartment with her husband and two children take… All rights reserved. There is, however, another 'her.'. |, July 25, 2009 It's an uncomfortable yet deeply satisfying exercise. Regal “2 or 3 Things I Know About Her” is my favourite film from Jean-Luc Godard, a director who propped my eyes wide open to the possibilities of the film medium. 2 or 3 Things I Know About Her. With this dramatic style that utilized the everyday routines of people living and/or visiting Paris frequently, we get a full collection of human characters, easy to empathize with, and eager to talk... or maybe not, out of fear, which is equally fascinating. I know they're not my knees or whatever, because I've been told so. We won’t be able to verify your ticket today, but it’s great to know for the future. Oh, and the detective was to be transformed into a prostitute. 2 or 3 Things I Know About Her is the dividing line. That may be the message, or maybe not; Godard is as relaxed in the film as in the title. This progressive transformation of the film tone mirrors the transformation of the city, which can be easily extrapolated to Europe. Read honest and unbiased product reviews from our users. |, February 8, 2008 Eye For Film >> Movies >> 2 Or 3 Things I Know About Her (1967) Film Review 2 Or 3 Things I Know About Her. Your AMC Ticket Confirmation# can be found in your order confirmation email. 94/100. A day in the life of a Parisian housewife/prostitute, interspersed with musings on the Vietnam War and other contemporary issues. The greatest film by the greatest post-1950s filmmaker, Jean-Luc Godard’s 2 or 3 Things I Know About Her presents the critic, humbled by the beauty of its surfaces, the density of its ideas, and the uncanny coherence of its fragmented structure, with a writing dilemma. Directed by Jean-Luc Godard. Directed by Jean-Luc Godard. This 10-digit number is your confirmation number. The result is uneven; he gets the hands to working right and bites his tongue.

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